Use the 60-30-10 Rule Decorating a space in terms of color is as easy as 60-30-10. Don't believe me? Take a look at some rooms in magazines or in Designers' Portfolio. You'll notice that the rooms you like the most are almost invariably divided into percentages of 60-30-10. Why this works is anybody's guess. Perhaps it is the human tendency to see an overall theme in the 60 percent hue, unifying the coloration. The 30 percent provides visual interest and the 10 percent, not unlike jewelry, provides that little spark of sparkle.
So, when decorating a particular room, divide the colors into percentages: 60% of a dominant color 30% of a secondary color 10% of an accent color
When you think about it, this color breakdown is similar to a man's business suit: 60% of the outfit's color is the slacks and jacket 30% of the outfit's color is the shirt 10% of the outfit's color is the tie
Translated to a room setting, it typically means: 60% of the room's color is the walls 30% of the room's color is the upholstery 10% of the room's color is, say, an accent piece or a floral arrangement
CHOOSE A COLOR SCHEME
Trying to decide on the right color scheme for a room or an entire home can be difficult. You can simplify the process by using your color wheel and narrowing down your choices to two color schemes. There are more, of course, but these are the most effective and provide a great place to start.
Complementary Color Scheme Complementary colors are across from each other on the color wheel, such as red and green, blue and yellow, or purple and orange. Rooms decorated with a complementary color scheme tend to provide a clear separation of colors and often are more formal and more visually challenging. Complementary color schemes should be used in the more formal areas of the home — for example, the living room or dining room.
Analogous Color Scheme Analogous colors are next to each other on the color wheel, such as yellow and green, blue and violet, or red and orange. Rooms using an analogous color scheme typically are more causal, restful and muted in terms of coloration. This color scheme is best used in the more informal areas of the home. Family rooms, dens and bedrooms — places where you’re searching for rest and recovery from the day — look and "feel" great in analogous colors.
Don't Forget the Black This is an old adage in interior design. By adding a black element — say, a black box, lampshade, picture frame or other accent — you clarify and enhance all the other colors in the space. Try it — it really works!
Follow Nature's Lead Most people err, not with color, but with value. Value is the relative lightness or darkness of a color. Often you'll see a space that is not balanced in terms of value: one side of the room is too dark (therefore, "weighty" or "heavy") versus the other side, which is light in value and tends to "float away" visually. Try designing your interior space by replicating the color values of the outside world. After all, interior designs are basically our attempt to imitate Mother Nature, who is a great colorist!
Choose darker values of color for the floor (ground), medium values of color for the walls (trees and mountains) and light values of color for the ceiling (sky). If you divide your colors by value from dark to light as you decorate "vertically" in the room, you’ll get an interior design that looks good every time.
Pull From the Pattern To help you choose a color scheme, look at the colors in the largest pattern in the room first, be it drapery, upholstery fabric, an Oriental rug or a large artwork. Then choose colors based upon that piece. This is much easier (and less expensive) than painting the walls a particular color and finding that absolutely nothing else on the planet, let alone in your room, will match it. In other words, if your favorite piece of art is red, black and gray, you can choose the gray to be 60 percent, the red to be 30 percent and the black to be the 10 percent — or the red could be the dominant color with the gray and black taking secondary and accent roles.
Keep in mind that colors on the market are driven by economics. The color industry comes out with standard colors for particular years (anyone remember their harvest gold kitchens from the '60s?). These standardized colors are then used for cars, appliances, fabrics — you name it!
These colors will change depending on the "color beneath the color." In the '80s colors had blue beneath the basic color, therefore the fashionable colors at the time included mauve (a red with blue undertones) and sea foam (a green with blue undertones). Today the trendy undertone color is yellow, so you get "sage" greens, "hot" reds and "lilac" blues. Keep that in mind when you're deciding on your color scheme.
FLOW THE COLOR
In order to create a flow of colors from one room to another, simply choose a color you're using in one room and restate it in a different way in an adjoining space. For example, if your sofa is green, use the same green for seat fabric in the dining room.
Use the color in larger or smaller degrees as you move about the home. That same green from the living room sofa mentioned above can also translate as, say, lampshades in the family room or place mats in the kitchen.
A high-contrast space (a room that uses light and dark values of colors in combination — for example, deep burgundy with light gold) appears clearer and more highly defined than a space that incorporates low contrasts (say, saffron yellow with sage green). So think about using high contrast to enhance the formality of a room and low contrast to introduce soothing qualities.
When paired, black and white (which, by the way, are not colors but rather the addition or subtraction of light) are somewhat formal in appearance, not unlike a tuxedo. White with beige, however, has a low contrast and a feeling of calmness. Combining white and black with gray is very low key and also creates a restful space.
GET EMOTIONAL WITH COLOR
We all associate colors with what they represent. In our minds, red may represent fire, blue the air and sea, yellow the sun, and brown and green often represent trees. These are generally considered to be emotional responses to color as opposed to intellectual responses. Use these emotional associations to their greatest effect in a space by deciding on what emotional impact you want the room to have. Would you like it to be lively? Choose reds and yellows. If you prefer subdued, try blues and browns.
The emotional impact of color should reflect the activities being performed in the space. If it is for rest, such as a bedroom or family room, choose darker values of colors that relate to restfulness such as greens, blues and browns.
THINK ABOUT LOCAL AND SEASONAL COLOR
By studying color schemes from the past — Victorian, arts and crafts or, perhaps, 18th century, for example — you can build a room's colors quite simply by incorporating these already-accepted color schemes. By using colors from your locale, be it the Southwest or New England, you easily can choose colors that reflect the area in which you live.
Seasonal color variations are another painless way to choose colors. Fall colors such as mustard yellows, russets and browns will create a calm and subdued space, perfect for resting. Spring colors, on the other hand, are more uplifting; pinks, lilac and saffron yellow impart a naive, fresh look to a room.
LIVE WITH THE COLOR BEFORE YOU BUY IT
When shopping for upholstery fabric, furniture finishes, window treatments or rugs, always ask for a sample to take home to see in the space you are decorating. Then leave it in the room for a couple of days and see what the color looks like in the different kinds of lighting used in that space. Pay careful attention to how the samples look during the times when the room will be used the most.
If the room is used most often at night, after everyone is home from work and school (under the "artificial" light of lamps), check out the color during the late afternoon and evening hours. If the room is used during the day, when there is an abundance of natural sunlight, check out the colors during the morning and early afternoon hours.
The direction the room's windows face (where the natural light is coming from) will also impact how a color appears in the room. Dark colors tend to look darker in rooms with northern exposures. You may want to lighten the color values of your choices a bit to reflect this in such spaces. The opposite is true for rooms with southern exposures: colors appear lighter.
7 Ways to Conquer Your Fear of Color
Start Small; If you're afraid to go bold, try starting in the smallest room. It's not as much of a commitment, plus you'll spend less time and money. This tiny — but cheery — bath makes a strong statement. Powder rooms are places where you can gild the lily. A loud geometric in a bright ocean blue was used to give it a slightly over-the-top feeling.
Temper Hot Colors With Cool Ones; Because orange can be too intense on its own, blue were added for accents in the mudroom. It's such a welcoming color. Orange feels like a younger, fresher version of red. But it can be a hot color and a little bit of cool color was needed as balance, to cut through the heat.
Balance Glossy and Matte Surfaces;In this living room contains slipper chairs in Schumacher Sargent Blush silk taffeta. Silk enriches every hue. For every glittering color, however, there has to be a matte one to offset it: You must balance the ethereal with the earth.
It's Okay to Mismatch;For this kitchen a pistachio Aga range was chosen. A green that blended, but didn't match was chosen for the cabinets. Subtle differences in hues make for a more sophisticated palette. The cabinets were thinned to a stain so that the grain of the pine shows through.
Choose One Color, But Use Many Hues;Creating an idyllic bath a blue palette was chosen but was not limited to one shade. The custom watery blue of the polished Venetian plaster walls picks up the blue in the floor tiles.
Add Contrast to a Neutral Palette;To make this master bedroom more dynamic a bright white bedding and a white lampshade were chosen. A room of creams and beiges needs something stark and shiny white. You have to interject elements that add intense personality.